Michael Jackson: For The Record

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Michael Jackson first entered a recording studio in November 1967, just three months after his ninth birthday. Two years later he and his older brothers scored their first hit, 'I Want You Back' - and, despite set-backs that would have ended the career of a lesser man, Michael's legion of fans remain as loyal today as they have ever been. This is the story of the man and his music...
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Michael Jackson Conspiracy

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He was the pop icon the media loved to hate. Tremendously wealthy, inarguably eccentric, and one of the most famous people in the world, Michael Jackson was the unenviable target of constant public humiliation. The media poked fun at his skin, his features, his sexuality, and his lifestyle.Here, seasoned crime reporter Aphrodite Jones condemns the media for perpetuating hateful rumors and innuendoes, recounting just the sordid details, and reporting only the most despicable accusations and grisly charges made against Michael Jackson during his criminal trial. They had built a highly profitable industry around the superstar's "freaky life" and banked on his conviction. And, it turns out, they got it all wrong.In their efforts to make money and win ratings, the media missed the truth. It wasn't until after the "not guilty" verdict that Jones had the insight and courage to admit her own unintentional role in the frenzy surrounding the shocking testimony, high drama, and countless celebrities in Michael Jackson's high-profile criminal trial. Here, she makes amends with what is not only a truthful, well-documented chronicle of the entire trial but a powerful indictment against the media for conspiring to distort, dehumanize, and destroy Michael Jackson. Jones argues convincingly that the case against Jackson amounted to nothing more than a media-made, tax-paid scandal, and she makes an impassioned call to action for the public-at-large to think critically, question the integrity, and demand the truth in "the news". --This text refers to the Paperback edition.
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Michael Jackson Official Calendar 2009: Thriller 25th Anniversary Special Edition

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February 12th, 2008 saw the release of Michael Jackson's Thriller album in a special 25th anniversary edition featuring all classic Thriller hits digitally remastered, a bonus DVD with Jackson's electrifying appearances and dance moves from the Thriller era PLUS brand-new tracks and remixes of Thriller's biggest hits with guest stars such as Akon, Fergie, Kanye West, and will.i.am.

Michael Jackson 2009 Wall Calendar is the final official product celebrating Thriller's 25th birthday. This strictly limited and special edition calendar, will remind you of the greatness of Michael Jackson and Thriller throughout the entire year 2009. The calendar's motto is "Thriller ... Then and Now." It celebrates 25 years of the biggest selling album of all time and features high quality and glossy photographs from the iconic times of Thriller as well as special artworks by today's most renowed digital artists paying tribute to Michael Jackson ... then and now.
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Thriller 25th Anniversary: The Book, Celebrating the Biggest Selling Album of All Time

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The party ain't over yet! Michael Jackson celebrates the 25th anniversary of Thriller, the world's largest selling album of all time, and the biggest milestone in pop music ever. THRILLER - the music, the videos, the looks and the dance moves that changed music forever.

February 12th, 2008 saw the release of Michael Jackson's Thriller album in a special 25th anniversary edition featuring all classic Thriller hits digitally remastered, a bonus DVD with Jackson's electrifying appearances and dance moves from the Thriller era PLUS brand-new tracks and remixes of Thriller's biggest hits with guest stars such as Akon, Fergie, Kanye West, and will.i.am.

Now, the party continues: THRILLER 25th Anniversary - The Book celebrates the iconic King of Pop and the world's biggest selling album of all time. More than 180 exclusive, high quality, digitally remastered and glossy photographs make this book a visual journey back to the iconic times of Thriller: Behind the scenes in the studio recording THRILLER, making the revolutionary short films, being on a victorious tour, Grammy's most glorious night, and much more.
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Michael Jackson: The Man behind the Mask

Product Description‘Michael Jackson: The Man behind the Mask’ is the INSIDE STORY of the truth behind the rumors, ugliness and mystery surrounding Michael Jackson.
Is Jackson just a confused person who got too much fame too soon or is he a cold and calculating villain who will stop at nothing to have his bizarre appetites satisfied? Now you can read about it for the first time from the man who knows everything!

The author, Bob Jones, is not a journalist conducting interviews but somebody who has known and been with Jackson for 34 years as his chief of Public Relations; by his side since Michael was 11 years old. Bob Jones is the one person with this unique inside view of Michael Jackson’s world. To a certain degree, Bob Jones CREATED Michael Jackson. He created his image. For example, Bob Jones created Michael Jackson’s famous nickname "The King of Pop".
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Michael Jackson: The Magic and the Madness

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So much has how been said and written about the life and career of Michael Jackson that it has become almost impossible to disentangle the man from the myth. Recent revelations are only the latest instalments of a saga that began decades ago. This book is the fruit of over 30 years of research and hundreds of exclusive interviews with a remarkable level of access to the very closest circles of the Jackson family - including Michael himself. Cutting through tabloid rumours, J. Randy Taraborrelli traces the real story behind the Michael Jackson we see and hear today, from his drilling as a child star through the blooming of his talent to his ever-changing personal appearance and bizarre publicity stunts. This major biography includes the behind-the-scenes story to many of the landmarks in Jackson's life: his legal and commercial battles, his marriages to Lisa Marie Presley and Debbie Rowe, his passions and addictions, his children. Objective and revealing, it carries the hallmarks of all of Taraborrelli's best-sellers: impeccable research, brilliant storytelling and definitive documentation.
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Michael Jackson: Facts from the Dancefloor

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This guide to the music of Michael Jackson and the Jackson family examines every song released by The Jackson 5, both as a group and as individuals. There is a section on the solo careers of Michael and Janet and the book is CD shaped to sit alongside a CD collection. --This text refers to an out of print or unavailable edition of this title.
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The Hobbit

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"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."
The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.

The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.


194 of 224 people found the following review helpful:
5.0 out of 5 stars Inferiour to L.R.? I think not! No, just different!, April 7, 2000
By Mike London "MAC" (Oxford, UK) - See all my reviews
(TOP 1000 REVIEWER)
This review is from: The Hobbit: or There and Back Again (Paperback)
The biggest problem with this novel is perception. Tolkien wrote this story for children; to be more specific, this was written for HIS children. There were several stories like this, but it was this, The Hobbit, that was his master achievement in children's literature.
The Lord of the Rings ( a single epic, NOT a trilogy) was written to cash in on The Hobbit's success. Tolkien wanted to get on with the more serious work of his mythology, and ultimately that is what happened with The Lord of the Rings. It became attached to his mythology, and became as important to him as The Silmarillion.

So delineation is required if you want to read this. Do not go in with the thought that The Hobbit is a "precursor" or any such nonsense to The Lord of the Rings. Think of it like you would think of any other children's classics: children's classics. If you take it on The L. R.'s terms, this is a failure, primary because it is not written to be like that. But, on the flipside, The L. R. is as much a failure in children's fiction. It is not children's fiction, it is epic fantasy, and one should not equate it with children's fiction. That is EXACTLY what people try to do with The Hobbit. They try to put it in the same type of genre or playing field as The L. R. They are both masterpieces, and I love them both dearly. But one is for children, the other with adults.

Of course, Tolkien is part of the problem. How many books do you know that is a children's book and has an adult sequel? Not very many. The Hobbit, scarcely 300 pages, was written and published in the children's market. He then talked to his publishers, and they wanted a sequel. So he began "the new Hobbit", as C. S. (Jack) Lewis so aptly put it. He was preoccupied with his mythology, and the sequel was drawn into it. So we have two works, spanning two different genres, and as far as surface connections go its little more than prequel/sequel. Instead of looking at The Hobbit as a prequel, a precursor to his ADULT masterpiece, an inferiour version, think of as his CHILDREN'S masterpiece. The Hobbit is top of the class in children's fiction, one of the few contenders against such other great children's works as Narnia and Wrinkle in Time. The Lord of the Rings, likewise, is THE crowning masterpiece of the fantasy genre, of which its influence is incalculable to that fantasy market. Both are as important as the other, just in different fields.

I haven't talked about The Silmarillion much. I have already reviewed it, so I won't go real in-depth here. But the same thing happened with it. People, expecting another Lord of the Rings, were inevitably disappointed with the Biblical style of the published version. If Tolkien wrote that book out in narrative form as he did Lord of the Rings, it would be ten times longer than Lord of the Rings. The biggest problem with Tolkien is people have to many preconceptions that are incorrect.

So, basically, in conclusion, think of it like this:

1. The Hobbit - Children's masterpiece. He scores big with this one.

2. The Lord of the Rings - a single fantasy, not a trilogy. (Tolkien was always quick to point that out). The Crowning achievement of modern fantasy.

3. The Silmarillion - the Bible of Middle-earth. Much more for students of his work than the causal reader.


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Crazy for the Storm: A Memoir of Survival

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Dad Said

Ollestad, we can do it all. . . .

Why do you make me do this?

Because it's beautiful when it all comes together.

I don't think it's ever beautiful.

One day.

Never.

We'll see, my father said. Vamanos.

From the age of three, Norman Ollestad was thrust into the world of surfing and competitive downhill skiing by the intense, charismatic father he both idolized and resented. While his friends were riding bikes, playing ball, and going to birthday parties, young Norman was whisked away in pursuit of wild and demanding adventures. Yet it were these exhilarating tests of skill that prepared "Boy Wonder," as his father called him, to become a fearless champion--and ultimately saved his life.

Flying to a ski championship ceremony in February 1979, the chartered Cessna carrying Norman, his father, his father's girlfriend, and the pilot crashed into the San Gabriel Mountains and was suspended at 8,200 feet, engulfed in a blizzard. "Dad and I were a team, and he was Superman," Ollestad writes. But now Norman's father was dead, and the devastated eleven-year-old had to descend the treacherous, icy mountain alone.

Set amid the spontaneous, uninhibited surf culture of Malibu and Mexico in the late 1970s, this riveting memoir, written in crisp Hemingwayesque prose, recalls Ollestad's childhood and the magnetic man whose determination and love infuriated and inspired him--and also taught him to overcome the indomitable. As it illuminates the complicated bond between an extraordinary father and his son, Ollestad's powerful and unforgettable true story offers remarkable insight for us all.

It was time for my eight-year old son, Noah, to read before bed. "Eh," he groaned. "Reading is so boring. It sucks." He’d been reciting this same mantra for months. I was resting beside him in his bed and I saw his whole life crumble--a slew of poor report cards and father-son arguments, ending in long term unemployment. "What about Dr. Seuss?" I reasoned. He glared at me with his brown eyes. "It's okay," he mumbled. I opened the book he was reading for his class and handed it to him. He stared at it, mute. "Noah," I said from my lowest register. He proceeded to read at a snail's pace and I pointed out that it would take him twice as long as usual to get through the required five pages. So he ran the words together, not even stopping at periods. I grabbed the book and told him we'd be reading all weekend to make up for his lack of cooperation. For months I coerced him like that, urging him past his lazy monotone, trying to get him to connect with the story. It was a long few months.

When I was Noah's age I also disliked reading. I just wanted to hear the story without having to work for it. I had wished my dad could work the same kind of magic he did with surfing: he'd push me into the waves so that I could simply enjoy the ride, eliminating the most arduous, frustrating part of surfing--paddling for the wave.

My father was always asking my mother, who was a grade-school teacher, why I wasn't a better reader. She advocated patience, and encouraged me by tirelessly pointing out things in each story that I might relate to. My father was killed when I was eleven, so he never got to witness my eventual love of reading.

In order to help Noah find that love, I searched for a seminal moment in my past that had transformed me. There was no single thing. But during my reminiscences I flashed on Dad reading aloud my grandparents' monthly letters from Mexico. They had retired to Puerto Vallarta and their letters were filled with stories. Stories about an inland village where Grandpa went twice a week to buy ice for their fridge, to keep their food cold. Stories about helping a Mexican family after a hurricane hit Puerto Vallarta. Stories of secret waterfalls and secluded isthmuses that Grandpa and Grandma had discovered around Vallarta. And that’s when it hit me--it was very simple: the essence of my love for reading really emanates from my love for stories.

"How about I tell you a story tonight," I whispered with great zeal to Noah. His eyes lit up and he smiled. "What kind of story?"

"Any kind," I said.

"A story about a magic skateboard would be cool," he suggested. As I spun the impromptu tale, he rolled onto his side and stared at me, totally focused. The following night I made a bargain with him: "First read five pages, then I'll work up a story about whatever you want." Before I got myself nestled beside him, he was halfway through the first page. Progressively, Noah's topics became more elaborate, and soon he was giving me outlines for stories. Somewhere along the line his reading voice changed--he was gobbling up the sentences, his voice alive with inflection. He'd broken through. Noah was hooked on stories, like I got hooked on riding waves. Once he'd experienced the pleasure of going on that narrative ride, reading became second nature, like paddling for a wave. It all starts with a good story.

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Let the Great World Spin: A Novel

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Amazon Best of the Month, June 2009: Colum McCann has worked some exquisite magic with Let the Great World Spin, conjuring a novel of electromagnetic force that defies gravity. It's August of 1974, a summer "hot and serious and full of death and betrayal," and Watergate and the Vietnam War make the world feel precarious. A stunned hush pauses the cacophonous universe of New York City as a man on a cable walks (repeatedly) between World Trade Center towers. This extraordinary, real-life feat by French funambulist Philippe Petit becomes the touchstone for stories that briefly submerge you in ten varied and intense lives--a street priest, heroin-addicted hookers, mothers mourning sons lost in war, young artists, a Park Avenue judge. All their lives are ordinary and unforgettable, overlapping at the edges, occasionally converging. And when they coalesce in the final pages, the moment hums with such grace that its memory might tighten your throat weeks later. You might find yourself paused, considering the universe of lives one city contains in any slice of time, each of us a singular world, sometimes passing close enough to touch or collide, to birth a new generation or kill it, sending out ripples, leaving residue, an imprint, marking each other, our city, the very air--compassionately or callously, unable to see all the damage we do or heal. And most of us stumbling, just trying not to trip, or step in something awful.

But then someone does something extraordinary, like dancing on a cable strung 110 stories in the air, or imagining a magnificent novel that lifts us up for a sky-scraping, dizzy glimpse of something greater: the sordid grandeur of this whirling world, "bigger than its buildings, bigger than its inhabitants." --Mari Malcolm

Amazon Exclusive: Frank McCourt on Let the Great World Spin

Frank McCourt was born in 1930 in Brooklyn, New York, to Irish immigrant parents, grew up in Limerick, Ireland, and returned to America in 1949. For thirty years he taught in New York City high schools. His first book, Angela's Ashes, won the Pulitzer Prize, the National Book Critics Circle Award and the L.A. Times Book Award. In 2006, he won the prestigious Ellis Island Family Heritage Award for Exemplary Service in the Field of the Arts and the United Federation of Teachers John Dewey Award for Excellence in Education. He is also the author of Tis and Teacher Man, both memoirs. Read his exclusive Amazon guest review of Let the Great World Spin:
Now I worry about Colum McCann. What is he going to do after this blockbuster groundbreaking heartbreaking symphony of a novel? No novelist writing of New York has climbed higher, dived deeper.

Trust me, this is the sort of book that you will take off your shelf over and over again as the years go along. It’s a story of the early 1970s, but it’s also the story of our present times. And it is, in many ways, a story of a moment of lasting redemption even in the face of all the evidence.

There are dozens of intimate tales and threads at the core of Let the Great World Spin. On one level there’s the tightrope walker making his way across the World Trade Center towers. But as the novel goes along the “walker” becomes less and less of a focal point and we begin to care more about the people down below, on the pavement, in the ordinary throes of their existence. There’s an Irish monk living in the Bronx projects. There’s a Park Avenue mother in mourning for her dead son, who was blown up in the cafés of Saigon. There are the original computer hackers who "visit" New York in an early echo of the Internet. There’s an artist who has learn to return to the simplicity of love. And then—in possibly the book’s wildest and most ambitious section—there’s a Bronx hooker who has brought up her children in “the house that horse built”—“horse” of course being the heroin that was ubiquitous in the '70s.

All the voices feel realized and authentic and the writing floats along. This was my city back then—and now. McCann has written about New York before, but never quite as piercingly or as provocatively as this. This is fiction that gets the heart thumping.

The stories are interweaved so that it is one story, on one day, in one city, and yet it is also a history of the present time. In Let the Great World Spin, you can’t ignore the overtones for today: suffice it to say that the novel is held together by an act of redemption and beauty. I didn’t want to stop turning the pages.

I’m really not sure what McCann will do after this, but this is a great New York book, not just for New Yorkers but for anyone who walks any sort of tightrope at all. And yes, it doesn’t surprise me that it takes an Irishman to capture the heart of the city... —Frank McCourt

From Booklist
*Starred Review* After the rigors of Zoli (2007), his historical tale of Romani life, best-selling literary novelist McCann allows himself more artistic freedom in his shimmering, shattering fifth novel. It begins on August 7, 1974, when New Yorkers are stopped in their tracks by the sight of a man walking between the towers of the World Trade Center. Yes, it’s Philippe Petit, the subject of the Academy Award–winning documentary Man on Wire and one of McCann’s many intense and valiant characters. The cast also includes two Irish brothers: Corrigan, a radical monk, and Ciaran, who follows him to the blasted Bronx, where he encounters resilient prostitute Tillie and her spirited daughter Jazzlyn. Gloria lives in the same housing project, and she befriends Claire of Park Avenue as they mourn the deaths of their sons in Vietnam. McCann’s hallucinatory descriptions of a great city tattooed and besmirched with graffiti, blood, and drugs in the midst of a financial freefall are eerie in their edgy beauty, chilling reminders of how quickly civilization unravels. Here, too, are portals onto war, the justice system, and the dawning of the cyber age. In McCann’s wise and elegiac novel of origins and consequences, each of his finely drawn, unexpectedly connected characters balances above an abyss, evincing great courage with every step. --Donna Seaman

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