Tuesday, April 28, 2009

The Day We Lost the H-Bomb: Cold War, Hot Nukes, and the Worst Nuclear Weapons Disaster in History

The Day We Lost the H-Bomb: Cold War, Hot Nukes, and the Worst Nuclear Weapons Disaster in History
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Two years ago, on a chilly February morning, I found myself standing on the shore of the Mediterranean Sea. I was wearing a bathing suit, shivering in the cold and feeling like a complete idiot.

It was all Ellen’s fault. A few weeks earlier, before leaving for Spain to research The Day We Lost the H-Bomb, I had had lunch with Ellen Ruppel Shell, a former writing teacher. As we chatted about my upcoming trip, I told her the story of Angier Biddle Duke, the American Ambassador to Spain in 1966. After the United States accidentally dropped four hydrogen bombs near a Spanish village, Duke orchestrated a PR stunt, swimming in the chilly Med to prove that the water wasn’t radioactive.

I mentioned that I was planning to visit the beach where Angie swam. Ellen looked at me and said, “Well, of course you have to swim there, too.” I had to admit she was right. It’s always easier to write about something you’ve experienced firsthand.

Now, here I was on the beach. I had been anxious about the swim, searching for any excuse to get out of it. My translator had mentioned something about a jellyfish invasion of the Mediterranean, which gave me hope. But I had scoped out the beach the previous day and there wasn’t a jellyfish in sight. No people in sight, either. In my few days on the coast I had seen no one in the water and hardly anyone on the beach, just a few pasty Brits and backpackers sprawled on the sand. It was, after all, February.

The next morning I got up at dawn. My plan was to sneak down to the beach without anyone seeing me. The Spanish were used to gringos acting strangely, but a dip in the Med in the middle of winter was surely a bit too far.

The beach was deserted, but I noted with alarm that a tour bus was parked beside the road overlooking the ocean. Unlike Angie Duke, my goal was to attract as little attention as possible. I took off my shirt and shorts, and stood on the beach on my bathing suit, cursing Ellen for putting this idea in my head. Where were those jellyfish when I needed them? I wondered if the tour bus was filling with old folks who now had something interesting to look at.

I took my first step in. The water was clear and cold, the bottom soft and pebbled. I took a few more steps, my feet sinking into the sand. There was a steep drop and I was suddenly up to my waist. A quick count of one, two, three and I ducked underwater. I came back up, shook my hair and tasted the salty water on my face. My job was done.

My 30-second dip in the Med, after all my anxiety, was anticlimactic. Angie’s swim was completely the opposite. --Barbara Moran

From The Washington Post's Book World/washingtonpost.com Reviewed by Seth Shulman In a historic speech in Prague two weeks ago, President Obama proposed concrete steps to move toward "a world without nuclear weapons," including a test ban, an end to the production of fissile materials and a new Strategic Arms Reduction Treaty with the Russians. This effort to build a safer world is most welcome: The six-decade-long history of nuclear weapons and nuclear power includes a frightening number of fiascoes still shrouded in secrecy. As two new books illustrate, there is much to mine in this atomic tale: stories as big and dramatic as mushroom clouds, events that lend themselves easily to superlatives. When mistakes are made with nuclear reactors and warheads, the consequences are often scary indeed. In her first book, journalist Barbara Moran exhibits dogged research and an eye for detail in reconstructing one such incident. "The Day We Lost the H-Bomb" revisits the 1966 explosion of a U.S. Air Force B-52 bomber carrying four hydrogen bombs over the Spanish village of Palomares, a story the book's subtitle trumpets as "the worst nuclear weapons disaster" ever. Moran, whose background is in television documentary production, takes a cinematic approach, describing everything from the Catalan shrimp fishermen who rescued the U.S. fliers parachuting from the massive plane to the contents of President Lyndon Johnson's breakfast (melon, chipped beef and hot tea) when he got news of the accident at 7:05 a.m. Moran spent years collecting this wealth of detail, interviewing the Air Force officers who survived the crash and exhuming every declassified document she could find on the topic. She even accompanied Air Force officials on a midair refueling (the proximate cause of the accident) so that she could explain that difficult maneuver. Her efforts yield an often riveting tale. Although the conventional explosives in some of the warheads blew up on impact, scattering debris and radiation, the nuclear charges (thankfully) did not detonate. The Air Force quickly recovered three of the four hydrogen bombs on land. But the fourth sank to the bottom of the Mediterranean, setting off a frantic scramble to find it before the Soviets did. To her credit, Moran captures some of the flavor of the Cold War, including the Air Force's determination to keep part of its nuclear arsenal perpetually airborne for fear of a surprise attack. She recounts with some humor how, in the midst of the recovery effort, Johnson went to the White House screening room to watch "Thunderball," the latest James Bond film, in which the evil "Spectre" organization crashes a NATO plane loaded with two nuclear bombs into the ocean, retrieves the bombs underwater and holds them for ransom. What she doesn't do, unfortunately, is sufficiently explain why her minute-by-minute account of the real-life incident matters now, especially given that two top-notch journalists, Flora Lewis and Tad Szulc, wrote books about it within a year after it took place. Moran's use of now-declassified information undoubtedly fills some gaps in the previous reporting, but her book would have been stronger if she had broadened her focus and more explicitly spelled out her tale's lessons for today. Todd Tucker's eye-opening "Atomic America" suffers from the opposite problem: Its focus is too broad. Tucker, a former nuclear engineer with the U.S. Navy's submarine force, initially sets out to tell the astonishing, little-known story of the 1961 explosion of an Army nuclear reactor in rural Idaho. The accident killed all three of the Army operators on site, and Tucker ranks it as (superlatives, again) the deadliest nuclear reactor incident in U.S. history -- a plausible claim, given that the closest contenders are probably the death of a scientist from radiation during the Manhattan Project in 1945 and the 1979 meltdown of Pennsylvania's Three Mile Island reactor, which caused no immediate fatalities. (The Soviet Union's 1986 Chernobyl disaster, of course, was much deadlier.) Tucker is a good explainer, and his background in the field lends authority to his technical descriptions. In the book's central saga, he exposes the Army's cavalier attitude toward nuclear safety in the 1950s as nothing short of criminal. But his sprawling account also chronicles the development of Adm. Hyman Rickover's nuclear Navy and the Air Force's flirtation in the late 1950s with atomic-powered flight, a shocking escapade in which the Air Force designed and built an airplane that ran on power from a 20-ton reactor suspended from its fuselage. Over the life of that project alone, the Air Force spewed 4.6 million curies of radiation -- twice what was released at Three Mile Island -- into the sky over Idaho. Tucker's wide-ranging stories hold loosely together, but the overall effect is dizzying and, as with Moran's book, the message we are supposed to take away is muddled. Tucker is clearly enamored of nuclear power, and in his view, the Navy has handled it responsibly, particularly in comparison with the Army and the Air Force. He may be right about that. But his many examples of the government's often slipshod approach to nuclear safety are likely to leave readers all the more heartened by President Obama's latest nuclear initiatives.
Copyright 2009, The Washington Post. All Rights Reserved.
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The Girl Who Played with Fire

The Girl Who Played with Fire
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The Girl Who Played with Fire is that rare thing - a sequel that is even better than the book that went before - it is to be read in great hungry chunks - Observer. It is rare to find a thriller in which the female characters are allowed so much space to be. Lisbeth Salander really is a wonderful creation - Scotsman. Astonishing novels - Larsson came up with an entirely new kind of heroine for the crime story - as with Larsson's first novel, this is wonderful stuff - Daily Express. A year ago, The Girl with the Dragon Tattoo won ecstatic praise from British critics and readers. Now its successor, The Girl who Played with Fire has outsold the likes of Patricia Cornwell and James Patterson - once more, another figure seizes the book by the scruff of its neck and binds the reader in fetters of fascination - Independent. As with the first book, this complex novel is not just a thrilling read, but tackles head-on the kind of issues that Larsson himself railed against in society, such as endemic establishment corruption and the exploitation of women - Daily Mail. --This text refers to the Hardcover edition.

The first reviews from the UK:

“This second novel is even more gripping and astonishing than the first . . . Conscious of the way crime and other networks transcend national boundaries, it’s a very modern novel. What makes it outstanding is the author’s ability to handle dozens of characters and parallel narratives without ever losing tension. Larsson was a fantastic storyteller. This novel will leave readers on the edge of their seats.”
–Sunday Times

“The best thriller I’ve read in ages . . . If you want a book to take on your lifetime trip on the Trans-Siberian railway, The Girl Who Played With Fire is the one.”
–Evening Herald (Ireland)

“Umberto Eco transposed Sherlock Holmes to a different time and genre and imported learning from history, theology, philology and other disciplines. Larsson’s [books are] likewise an enjoyable and instructive compendium of pop-culture references and academic knowledge . . . Salander is recognisably a Lara Croft for grown-ups–a female Terminator . . . [She is] the huge pleasure of these books, a fascinating creation with a complete and complex psychology.”
–Guardian

“The essential first step to appreciating Stieg Larsson is to rid yourself of any fixed image you have of Swedish crime fiction. If Mankell is Swedish gloomy, Larsson is Swedish noir. Very . . . Lisbeth is a heroine like no other in crime fiction . . . Her mental and physical strengths are beyond those of ordinary humans. Yet Larsson’s writing manages to make her intriguing, admirable and even sympathetic. . . The Girl who Played with Fire becomes an absorbing, exciting and bloody multi-layered chase . . . A riveting read.”
–Times


Praise for The Girl With the Dragon Tattoo:

"A remarkable first novel . . . Wildly suspenseful . . . The Girl With the Dragon Tattoo has been a huge bestseller in Europe and will be one here if readers are looking for an intelligent, ingeniously plotted, utterly engrossing thriller that is variously a serial-killer saga, a search for a missing person and an informed glimpse into the worlds of journalism and business . . . It's a book that lingers in the mind . . . Lisbeth is a punk Watson to Mikael's dapper Holmes, and she's the coolest crime-fighting sidekick to come along in many years." —Patrick Anderson, Washington Post

"A super-smart amalgam of the corporate corruption tale, legal thriller and dysfunctional-family psychological suspense story. It's witty, and unflinching in its commonsense feminist social commentary . . . A veteran mystery reader could spot the clues to this novel's runaway popularity as easily as Poe's detective, Auguste Dupin, spotted that purloined letter . . . Larsson's multi-pieced plot snaps together as neatly as an Ikea bookcase, but even more satisfying is the anti-social character of Salander . . . I'm betting that this offbeat bad girl will win a lot of readers' affections." —Maureen Corrigan, Fresh Air (NPR)

"Imagine the movies of Ingmar Bergman crossed with Thomas Harris's novel The Silence of the Lambs. Larsson's mesmerizing tale succeeds because, like P.D. James, he has written a why-dunit rather than a whodunit." —Deirdre Donahue, USA Today

"The Girl with the Dragon Tattoo is a striking novel. Just when I was thinking there wasn't anything new on the horizon, along comes Stieg Larsson with this wonderfully unique story. I was completely absorbed." —Michael Connelly

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